How To Remove Background Noise From Audio

Intro

What do Podcasters, Music Producers, and Filmmakers have in common? A justified war against unwanted noise. They are always looking for better ways to remove background noise from audio.

Any project that needs to capture sound has to deal with noise at some point, and two leading solutions are at hand. The first one is to go for pre-production noise reduction by optimizing your recording environment. The second is to remove background noise from your already recorded audio using many tips and tools.

In this article, we would like you to discover some of the best background noise removal programs, along with some tips and best practices to keep in mind. By the end of this piece, you will be equipped with a couple of efficient ways to deal with unwanted noise in post-production treatment.

Let’s dive in.

What Is Background Noise?

Background noise is any irrelevant sound that is audible when listening to the main sound we wanted to observe in the first place. We usually pick it up because of a lack of noise cancellation in our recording space, or a lack of excellent recording equipment.

In any case, the output doesn’t sound professional, and you feel that your listeners won’t be able to enjoy your sound comfortably. The humming of an external hard drive can completely distract your audience from the main piece of content. This is why we feel it’s important to provide our readers with the best solutions available for post-production noise treatment.

When Do I Need to Remove Background Noise From Audio?

In a time when the world is becoming more and more audibly congested, ruined recordings are a common routine for creatives trying to capture sound. Whether you do podcasts, short movies, or street interviews, you occasionally experience unwanted noise because of human error, electro-mechanical interferences, and unwelcome intrusions from cellphones and air conditioners.

Sometimes the chosen recording time has no space for a perfect take, and deadlines won’t allow you to postpone it. So you do your best and go back to the studio realizing you need to remove background noise from the audio.

The Best Ways to Remove Background Noise From Audio

There is a variety of noise removal programs available, spanning from one-click solutions to more complex step-by-step editing software. Obviously, the more details you can manipulate, the better the noise treatment.

A general process of removing background noise from your audio would be:

1. Acquire Noise Profile: Any software will ask you to provide it with a noise sample it can then detect and erase in your audio.
2. Define Noise Removal Settings: Simply put, you will need to adjust the levels of noise reduction in dB, the sensitivity with which you want it to attack the noise, and the frequency smoothing to determine at which level you want to spread the noise reduction on the audio.
3. Define which part of your audio you want to treat: Usually the software asks you to define what region of your audio you want these noise removal settings applied to.
4. Apply the noise reduction.

iZotope RX (Spectral De-Noise)

RX Spectral De-Noise is a versatile tool that swiftly achieves precise, high-quality noise reduction. It also includes controls for tonal and broadband noise, denoising artifact management, and an editing interface for adjusting reduction across the frequency spectrum. A true beast against noise.

Here is how to use Spectral De-noise:

Learn Profile: Try to get a baseline reading of a segment where you can only hear the noise, then click on learn. After you do this the Spectral De-Noise plugin will acquire and save that profile for the current processing.
You can click on adaptive mode when the noise profile changes depending on incoming audio.

Define Settings:

• Learning time defines the amount of perception used by adaptive mode to detect changing noise profiles throughout your audio.
• Threshold controls the level of separation between noise and useful content.
• Reduction controls the desired amount of noise reduction in dB.
• Quality affects the computational complexity of noise reduction from fast to best noise treatment.
• Artifact Control determines how much noise reduction will depend on either spectral subtraction or wide-band gating.
• Smoothing reduces the musical noise artifacts that can result from heavy denoising.

Preview:

Before you start the processing, click on the preview button to get a taste of the expected output. It’s always better to just retweak settings than to ruin your initial audio and have to upload it again.

Apply

After you hit the process, a new track section will be created with the denoised output you just produced. Always make sure to keep the initial audio saved somewhere in case you want to try another level of denoising.

Audacity

The Audacity package comes with a noise-reduction feature. It delivers excellent results when denoising constant background noise. Unfortunately, no adaptive mode is offered, but you still get the software for free.

Here is how to use Audacity’s Noise Reduction:

Get Noise Profile: After you’re uploaded your audio, go ahead and select a segment of the audio with only noise in it. Afterward, head up to “effects” and then click on “Noise Reduction”. You will encounter a user-friendly interface where you get to click on “Get Noise Profile”.

Explain Settings: In this step, you need to define the amount you want for each of these settings:

• Noise Reduction (dB) for the amount of noise reduction you want to apply.
• Sensitivity for how aggressive you want the noise reduction to be.
• Frequency smoothing to evenly distribute the noise reduction on the audio.

Preview: Now choose a segment that has noise competing with content and click preview. You want to achieve a level of isolating the content from the noise without altering the original quality.

Apply: When you hit that sweet spot of noise reduction, select all your audio, click on OK, and enjoy your denoized piece of audio.

Adobe Audition Noise Removal

Audition is a powerful audio editor for video editing, podcasting, and audio restoration. Although it is mainly used as a complement to a video editor, it still has a powerful noise remover that is worth mentioning.

Adobe Audition offers you two ways of eliminating noise:

The Noise Reduction Effect:

Capture Audio Profile: Bring up your audio file in Audition and then click on Effects, head to Noise Reduction/Restoration, and choose Noise Reduction (process). Now sample a segment that only has the unwelcome noise on it, and click Capture Noise Print.

Breakdown Settings:

Play around with the following sliders and buttons to get a feel of how it operates:

• The visual graph allows you to define the span of frequencies on which you want the processing to operate.
• Noise Reduction (dB) sets the strength of noise reduction.
• Reduced by sets the amount of noise reduction applied.

Preview: Click on the preview button in the editor and compare the initial recording with the output.

Apply: Once you’re happy with the reduction settings, click on “Apply” and enjoy your denoized audio.

The Denoise feature:

This feature is easier to use, and obviously, not as effective. It only requires you to choose the type of processing you want from the “Processing Focus” horizontal list and set an amount of noise reduction from 0 to 100%.

The result is not as powerful as the Noise Reduction effect but can come in handy if you don’t have an annoying amount of noise in your audio.

Podcastle (Remove background noise with one click)

Sometimes the noise reduction details don’t matter to you, and all you need is an overall general reduction of all that could distract your listeners from the main content. Some quick-fix solutions became recently available with the introduction of AI to the industry.

Websites like Podcastle offer you a web app in which you can upload your audio file, and clean it using a couple of clicks only. You just select the audio you wish to enhance, and then go for “Magic Dust” on the drop-down list that appears. A list of loading elements will compile, and then your file will be clean of major noise.

You can imagine that this type of solution offers no in-detail manipulation, thus, no powerful treatment against noise. Nevertheless, it is still a viable alternative for non-problematic recordings that don’t suffer a great deal.

Additionally, Podcastle’s main focus is the podcasting community. You can, therefore, be sure that they empower their AI to tackle common noise problems in the podcast world.

Re-record Your Audio (if possible)

All of these post-recording tools and tricks came as an answer to the unsettling obnoxious feeling of having to redo a perfect take. Yet, no amount of technological prowess and magic tricks can reproduce the preventive way of recording in excellent settings.

If no technological solution or audio engineer prevails in synthesizing an excellent environment for your audio, then the time has come to try again.

Here are some important practices to clean recording:

• Use a cardioid dynamic microphone: Extremely sensitive to sound coming from in front of the mic, and has low input dB that virtually rejects all surrounding noise.
• Quiet down your space: The room you record your podcast in might have a lot of reverb, echo, and other natural effects of space. Reduce them by strategically placing heavy rugs, curtains, and wooden furniture. You can always soundproof your room which will be pricey, but many bedroom producers achieve studio-level quality simply by correctly rearranging their room.
• Get away from ambient sounds: Even when you quiet down your room, some ambient noises like your laptop’s fan, hard drives, or your pet’s breathing might interfere. Simply get your microphone as far away as possible and record.
• Add Acoustic Treatment: If you always record in the same room, you might want to consider investing in an acoustic treatment. There is a multitude of acoustic treatment plans for different budgets and different needs.
• Use minimal gain: When you turn up the gain on a microphone, the additional loudness in the input signal will affect everything the mic catches. Even the noise. Thus, use as less as you can while recording, and then think of enhancing the levels of your audio post-production.
• Reduce Mouth and Mic Distance: Now that you put the mic’s gain to a minimal level, you need to stay close to the mic so it can record everything clearly. A rule of thumb in the industry says six inches, but feel free to experiment with the tone and reach of your voice.

Conclusion

So there you have it. Now that you know what constitutes background noise and how to treat it, nothing stands between you and clean content production anymore.